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Supplier(A35): China Painting, Calligraphy, Home Decor, Art & craft, folk product, ancient art & Chinese traditional gift provider. Online & mail orders, fast shipping and good quality.

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Remark: Good seller. In comparison, the use of oil as a medium is relatively new. Introduced to the Ching (Qing) Imperial court, oil painting was perceived as a Western novelty by the Qing emperors like Kangxi, his son Yongzheng, and his grandson Qianlong. Talented Western Jesuit priests familiar with European painting techniqes, such as Sickleparth, Attiret, Castiglione and Panzi, served in the palace and drew portraits for the emperors. However, oil painting remained a curiosity and novelty. This is not to say that these Jesuit artists were not appreciated. In fact, they were expected to work with traditional Chinese painting materials, and as a result, their work was a synthesized Sino-European style

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Details: Liuli or Colored Glaze, was the term used to describe glass during the Chinese Tang Dynasty. The material used in Liuli is actually adopted from the raw material used to produce precious crystal glass in the West. Crystal glass is made from a combination of glass and lead dioxide. While the proportion for mixing glass and lead dioxide varies from country to country, generally speaking, when the percentage of lead dioxide reaches 24% and above, the translucency and refractive quality of the glass reaches an excellent level. At the same time, the crystal glass is also heavier, softer and in prime condition for crafting into fine works of art. The name "cheongsam," meaning simply "long dress," entered the English vocabulary from the dialect of China's Guangdong Province (Cantonese). In other parts of the country including Beijing, however, it is known as "qipao", which has a history behind it.