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Remark: Good seller. In comparison, the use of oil as a medium is relatively new. Introduced to the Ching (Qing) Imperial court, oil painting was perceived as a Western novelty by the Qing emperors like Kangxi, his son Yongzheng, and his grandson Qianlong. Talented Western Jesuit priests familiar with European painting techniqes, such as Sickleparth, Attiret, Castiglione and Panzi, served in the palace and drew portraits for the emperors. However, oil painting remained a curiosity and novelty. This is not to say that these Jesuit artists were not appreciated. In fact, they were expected to work with traditional Chinese painting materials, and as a result, their work was a synthesized Sino-European style

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Details: The Chinese character "fu" (meaning blessing or happiness) is a must. The character put on paper can be pasted normally or upside down, for in Chinese the "reversed fu" is homophonic with "fu comes", both being pronounced as "fudaole." The name "cheongsam," meaning simply "long dress," entered the English vocabulary from the dialect of China's Guangdong Province (Cantonese). In other parts of the country including Beijing, however, it is known as "qipao", which has a history behind it.

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