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Remark: Good seller. In comparison, the use of oil as a medium is relatively new. Introduced to the Ching (Qing) Imperial court, oil painting was perceived as a Western novelty by the Qing emperors like Kangxi, his son Yongzheng, and his grandson Qianlong. Talented Western Jesuit priests familiar with European painting techniqes, such as Sickleparth, Attiret, Castiglione and Panzi, served in the palace and drew portraits for the emperors. However, oil painting remained a curiosity and novelty. This is not to say that these Jesuit artists were not appreciated. In fact, they were expected to work with traditional Chinese painting materials, and as a result, their work was a synthesized Sino-European style

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Details: Ancient tools of calligraphy included not only brush, inkstick, paper and inkstone, but also some accessories such as penholder, brush pot, ink box, paper-weight, seal, seal box. The raw materials of these tools were pottery, porcelain, copper, iron, lacquer, wood, bamboo, stone, jade, jadeite, agate and coral. The name "cheongsam," meaning simply "long dress," entered the English vocabulary from the dialect of China's Guangdong Province (Cantonese). In other parts of the country including Beijing, however, it is known as "qipao", which has a history behind it.
 

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