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Remark: Good seller. In comparison, the use of oil as a medium is relatively new. Introduced to the Ching (Qing) Imperial court, oil painting was perceived as a Western novelty by the Qing emperors like Kangxi, his son Yongzheng, and his grandson Qianlong. Talented Western Jesuit priests familiar with European painting techniqes, such as Sickleparth, Attiret, Castiglione and Panzi, served in the palace and drew portraits for the emperors. However, oil painting remained a curiosity and novelty. This is not to say that these Jesuit artists were not appreciated. In fact, they were expected to work with traditional Chinese painting materials, and as a result, their work was a synthesized Sino-European style

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As far back as the Northern and Southern Dynasties and the Sui-Tang (420-907) a song and dance featured warriors wearing masks, a precursor of the painted face. This is told in the Old History of the Tang Dynasty: Chapter on Music: "Prince Lanling of the Northern Qi was a great warrior but had a pretty, womanish face. 　 The name "cheongsam," meaning simply "long dress," entered the English vocabulary from the dialect of China's Guangdong Province (Cantonese). In other parts of the country including Beijing, however, it is known as "qipao", which has a history behind it.

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