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Remark: Good seller. In comparison, the use of oil as a medium is relatively new. Introduced to the Ching (Qing) Imperial court, oil painting was perceived as a Western novelty by the Qing emperors like Kangxi, his son Yongzheng, and his grandson Qianlong. Talented Western Jesuit priests familiar with European painting techniqes, such as Sickleparth, Attiret, Castiglione and Panzi, served in the palace and drew portraits for the emperors. However, oil painting remained a curiosity and novelty. This is not to say that these Jesuit artists were not appreciated. In fact, they were expected to work with traditional Chinese painting materials, and as a result, their work was a synthesized Sino-European style

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By controlling the concentration of ink, the thickness and adsorptivity of the paper, and the flexibility of the brush, the artist is free to produce an infinite variety of styles and forms. In contrast to western calligraphy, diffusing ink blots and dry brush strokes are viewed as a natural impromptu expression rather than a fault. 　 The name "cheongsam," meaning simply "long dress," entered the English vocabulary from the dialect of China's Guangdong Province (Cantonese). In other parts of the country including Beijing, however, it is known as "qipao", which has a history behind it.

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